"A Piece of the World" by Christina Baker Kline

 The cover shows a landscape with an unsettled sky and a lush, grassy hill with a simple, old clapboard house at the top, the kind that has housed children, their parents and grandparents over generations. For many, it will strongly suggest the setting of Andrew Wyeth’s iconic painting, “Christina’s World.”  But where is Christina, the woman he shows uneasily stretched out in that field?

Christina Baker Kline chose to create the story of the woman depicted by the masterful painter in her fifth novel, “A Piece of the World.” Kline developed a fascination with Christina Olson, who shares her birthplace of Maine as well as her name, and with the story of the woman’s friendship with the celebrated Pennsylvania painter starting in the 1940’s. Kline’s thorough research of Christina’s family, Wyeth’s art, and his life filled in only some of the blanks, so she used her knowledge of the post-war period in America, gained through writing the bestselling “Orphan Train”, and her imagination to give depth to Christina’s life.

Readers follow Christina as a young woman who bears the burden of a body that doesn’t work right, due to a serious genetic condition that surfaced in childhood, causing the lower half of her body to be twisted. She is a loner who has few close friends and over the decades she lives a quiet life in the family house with her bachelor brother Al. Wyeth drops into her life one summer when she is close to fifty. It starts with his knock on the door and his brisk look through the house, before he lays claim on an unused upstairs room as his summertime studio. He returns year after year as a welcome interruption to her colorless life.

The beauty of this book lies in Kline’s subtle handling of the ebb and flow of the life that Christina has chosen for herself: to stay with her brother in the rundown, family home, lacking electricity and running water that screams out for upkeep and repair. With simple yet beautiful language, she conveys the dedication the two siblings have for one another that is never acknowledged. There are long periods of silence and occasional reprimands, but the depth of their affinity for one another is palpable.

The relationship Christina has with Wyeth is also subtly yet strongly shown. She is a generation older than Andy, whom she sees as a quirky, impassioned man who asks for nothing from her but an upstairs room each day, some home cooking, and space for his moodiness and solitude. Kline delicately reminds us how love can come in different ways.

For a story in which life is so hard for the characters, it is a marvel that Kline shows us that in the bleak simplicity of Christina’s world, the important things in one’s life are more easily seen. Her novel is a beautifully imagined picture of one woman’s life.

"The Last Painting of Sara De Vos" by Dominic Smith

Art, they say, inspires. Having finished Dominic Smith’s wonderful “The Last Painting of Sara De Vos” (2016), I can assure you that a novel about a work of art can also inspire. The glue that holds together Smith’s ambitious story of an artist, an art collector and a restorer is the artwork itself, a 17th century Dutch painting by Sara De Vos. The fictional “At the Edge of a Wood” is widely viewed as her final work.

He describes the luminescent painting to us before the story begins: it’s a winter scene at twilight with a young girl standing against a silver birch looking towards skaters on a frozen river, her emotions appear unclear. Once we can visualize the painting, Smith craftily alternates three stories that follow the life of this painting, and the lives that it touches, from the 1950s in New York, to the 1630’s in Amsterdam, to the year 2000 in Australia.

The book begins in 1957 at a fundraiser in the Manhattan penthouse of patent attorney Marty de Groot. Shortly after that event, he recognizes that the painting his family has owned for centuries, that hangs over his master bed, is no longer the original but rather a forgery. He then takes us to Holland in 1636 when artists Sara De Vos and her husband are barely eking out a living at their trade. The third chapter takes place in Brooklyn in 1957 where he introduces us to Ellie, a struggling young art student and restorer who agrees to recreate this Dutch masterpiece for the challenge and desire for perfection, but also for the much-needed money it brings.

Smith, too, has a desire for detail and authenticity in his story. To write this book, he acquired an enormous amount of information about creating art in general, painting in particular, Dutch history, art collection, forgery and brought it all into the story. As examples, readers learn much about the lives of an artist during the Dutch Golden Age when Rembrandt and Vermeer were producing works and how meticulously a painting must be analyzed in order to copy it.

His sensitive handling of human emotions shows the same attention, leaving us touched by his characters’ yearnings, grief, regret, and loss.

It is a lot for readers to take in as the story leaps back and forth in time and location, but as it builds, readers can only admire the fullness and the richness of the story that Smith has laid out for us. This novel is a true work of art.