If this review were for The New York Times, I’d surely have been reading Anne Tyler’s “Vinegar Girl” (2016) with a keen eye on noting similarities and differences to the original work, since it is based on Shakespeare's “The Taming of the Shrew.” Luckily I could just sit back and enjoy the playful writing of the Pulitzer-Prize-winning author. My days with Shakespeare are a distant memory, but Hogarth Press wants to keep them alive. Five years ago, the publisher began the project of asking top-notch, contemporary writers to reimagine one of Shakespeare's plays in modern times. Several are already out, including Margaret Atwood’s retelling of “The Tempest” and Tracy Chevalier’s nod to “Othello.”
Present-day Kate Battista is a twenty-nine-year-old assistant in a Baltimore nursery school. She lives with her widowed father Louis, a disheveled scientist who works long hours in his lab, and her pretty, self-centered, fifteen-year-old sister Bunny. Tyler shows us immediately what a prickly person Kate is—she says whatever is on her mind, curses inappropriately, has no respect for authority, and doesn't even seem to like kids. Yet Kate's mother had died shortly after her sister's birth, so for the last fifteen years, she has managed the household, taken care of her preoccupied father, and raised her sister. Crabbiness about her lot in life is quite understandable.
The only hint of social interest we see in Kate is her softening around Adam, another assistant teacher who is known for the homemade dream-catchers he gifts to all the women. It is Kate’s father who advances her social life. One day he brings home from the lab his fellow microbiologist, Pyotr Cherbakov, and along with his introduction comes a plan he lays out to his daughter with no apology. He proposes that Kate marry the brilliant assistant, who has an expiring green card, to allow him to stay in this country and continue their project.
Much to the horror of Bunny, who cannot believe their father’s idea, Kate chooses to go along with the marriage, and plans begin for a simple ceremony, naturally without the word “obey.” With a sure, comic hand, Tyler entertains us with details of the arrangement—no guests—and the groom-to-be sprinkling, into his raw English, expressions he picks up—“stepping up to the plate,” “phoning it in.”
Though light and funny, there is definitely enough material for book clubbers to discuss. Readers will have to figure out why Kate goes along with her father’s plan to marry her off to a stranger. Maybe she's tired of watching the four-year-old girls in her class play wedding. Or maybe “she's used up her life” and is ready for a new one. You decide.